The Reader, Gold - Signed, numbered, edition of 50

40 x 55 cm / 15 x 21″ / Oak

2.500,00 kr

1/3

The Reader, Gold - Signed, numbered, edition of 50

2.500,00 kr

Size 40 x 55 cm / 15 x 21″ 50 x 70 cm / 20 x 28″

Frame Oak Dark Oak

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A golden tree, a wide field, and a girl reading in its shade.

Signed and numbered canvas print in a frame by Cathrine Wilhelmsen, edition of 50.

Poly-cotton blend canvas with a matte/satin finish. Scratch, crack, and warp resistant.
Vibrant, long-lasting colors with water-based HP Latex inks and UV protection.
Solid wooden frame from renewable sources, 4 cm deep.

Product safety information (GPSR)

Manufacturer: Dreamscape AS, Uranienborg terrasse 16, 0351 OSLO, Norway, cathrine@planetc.no

EU Responsible Person: Printumo ApS, Pilestræde 41, 2, 1112 København K, Denmark, hello@printumo.com

Safety information: Decorative wall art. Not a toy. Keep mounting hardware and small parts away from children. Mount securely to a suitable wall.

A signed gold field, and a girl reading in the shade.

One golden tree. A wide field. A reader at rest beneath it. Cathrine Wilhelmsen signs and numbers each canvas in an edition of 50.

Signed by the artist

Cathrine Wilhelmsen signs every canvas in this gold edition.

Numbered to 50

Each print carries its number in a closed edition of fifty.

A 4 cm wood frame, ready to hang

Solid wood from renewable sources, 4 cm deep. Choose oak or dark oak so the gold field sits like finished wall art.

Matte canvas that holds the gold

Poly-cotton blend with a matte/satin finish. The field, tree, and sky stay quiet on the wall, without poster glare.

Two sizes for the wall you have

40 × 55 cm / 15 × 21″ or 50 × 70 cm / 20 × 28″. Pick the scale that sits above a bench, a bed, or a hallway console.

The gold field stays with you

Collectors praise the quiet gold and the signed number

4.8

/ 5

Lived-in rooms. A signed canvas that earns its wall.

It replaced a poster I had for years

I hung the 50 × 70 in our hallway last spring. The gold field is the first thing I see with coffee. The numbered signature sits quietly in the corner. Frame is solid; I wish the hanging hardware notes were a bit clearer, but it looks finished. I hung the 50 × 70 in our hallway last spring. The gold field is the first thing I see with coffee. The numbered signature sits quietly in the corner. Frame is solid; I wish the hanging hardware notes were... I hung the 50 × 70 in our hallway last spring. The gold field is the first thing I see with coffee. The numbered signature sits quietly in the corner. Frame is solid; I wish the hanging hardware notes were a bit clearer, but it looks finished.

Patricia N.

The inks still look fresh

We have a bright window in the sitting room. After months the yellow field and blue sky have not gone chalky. Matte canvas helps. I chose dark oak so it sits with our older furniture. Feels like a real piece, not a print-on-demand sheet. We have a bright window in the sitting room. After months the yellow field and blue sky have not gone chalky. Matte canvas helps. I chose dark oak so it sits with our older furniture. Feels like a real piece,... We have a bright window in the sitting room. After months the yellow field and blue sky have not gone chalky. Matte canvas helps. I chose dark oak so it sits with our older furniture. Feels like a real piece, not a print-on-demand sheet.

Gordon D.

Edition number made it feel considered

I used to buy open-edition posters. This one is signed and numbered, which is why I waited for it. Oak frame arrived ready to hang. The girl under the tree is small in the composition, which I like. Shipping box was bulky, that is my only note. I used to buy open-edition posters. This one is signed and numbered, which is why I waited for it. Oak frame arrived ready to hang. The girl under the tree is small in the composition, which I like. Shipping box... I used to buy open-edition posters. This one is signed and numbered, which is why I waited for it. Oak frame arrived ready to hang. The girl under the tree is small in the composition, which I like. Shipping box was bulky, that is my only note.

Nicola C.

A calm companion above the desk

I work from home and wanted original-feeling art, not mass posters. The Reader in gold hangs over my desk. I look at the shade under the tree when I need a pause. Poly-cotton feels sturdy. Dark oak was the right call for our cream walls. I work from home and wanted original-feeling art, not mass posters. The Reader in gold hangs over my desk. I look at the shade under the tree when I need a pause. Poly-cotton feels sturdy. Dark oak was the right... I work from home and wanted original-feeling art, not mass posters. The Reader in gold hangs over my desk. I look at the shade under the tree when I need a pause. Poly-cotton feels sturdy. Dark oak was the right call for our cream walls.

Warren P.

We live with it every evening

Bought the smaller size for the bedroom. Soft lamp light on the matte surface is lovely. Husband was unsure about a limited canvas; now he mentions the tree. UV-protected inks were the practical reason I chose this over a paper print. Bought the smaller size for the bedroom. Soft lamp light on the matte surface is lovely. Husband was unsure about a limited canvas; now he mentions the tree. UV-protected inks were the practical reason I chose this over a paper... Bought the smaller size for the bedroom. Soft lamp light on the matte surface is lovely. Husband was unsure about a limited canvas; now he mentions the tree. UV-protected inks were the practical reason I chose this over a paper print.

Teresa F.